Pastel 6x6 on Sanded Paper
This still life study of an apple began as a timed exercise completed in 3 4-minute segments with a 1 minute wrap-up. The result was worthy of some finishing touches and a signature.
This still life study of an apple began as a timed exercise completed in 3 4-minute segments with a 1 minute wrap-up. The result was worthy of some finishing touches and a signature.
This is the result of my first still life in quite some time. I have set a goal to improve my painting by regularly doing a still life and doing it quickly. Here is the process I intend to follow with the result from this first exercise.
1. Get the proportions and position right, Set the underpaint.
·
Locate
your viewpoint in relation to the subject, mark that spot, and always return to
that point to look at the subject.
·
Mark
the shape of your object(s) first by marking its proportions within the picture
frame – top, bottom, right, left. Mark
or sketch significant point within the object to get position and spacing correct.
·
Block
in underpaint color / values for object, background, foreground, shadows –
reserve white space for highlights.
·
Set
block in with denatured alcohol, mineral spirits, or other
2. Block in the object
·
Set
the values and value relationships – darkest darks and lightest lights.
·
Set
the broad form with values by color – define the object within the space
marked.
·
Set
the “accent” color and value relationships.
·
Add
color to the whole object and adjust values.
3. Complete the whole picture
·
Look
at the object as a whole and complete the shading, edges, and reflections.
·
Add
only the Necessary details.
·
Complete
the background and foreground color and value. Use background and foreground color to define
the shape of the object not to be noticed of itself.
·
For
this exercise, limit background and foreground objects – stay with abstract
shapes or no shapes at all.
4. Finish it up
·
Adjust
final details and edges.
Remember,
you are an artist not a camera. Make the
image your own.
I post this message for myself - to keep me from becoming bogged down in detail rather than making my expression of the subject.
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