Expressive washes of intense watercolor on wet paper that I permitted to run and blend naturally. For this painting, my goal was for larger, lighter, and more flowing images. I found the "accidental" stream in the center was too good to ignore. When it was dry, I added pen lines to define forms and created suggestions for the areas of color.
Expressive washes of intense watercolor on wet paper that I permitted to run and blend naturally. When it was dry, I added pen lines to define forms and created suggestions for the areas of color.
This is an image of one of the cardinals that come to our feeder. One is light - almost orange, and the other is much darker. I call the darker one "Buster." Whenever he comes, he is master of all he surveys.
This portrait of Sebastian is taken from a series of photos I took of him a few years ago. It was hard for me to concentrate on this painting because he was such a good friend and wonderful pet. In the end, I believe I captured some of his gentle, faithful, and loving spirit.
This is a portrait of one of my favorite pets. She was number 14 of 20.
This is the standard view of Bridgette. Every time I get the camera or my phone out to take a photo, she refuses to look at me. This is Bridgette - Don't Look at Me, I'm Thinking.
 |
| Rusty's Question |
This portrait is number 9 of my 20 in 30 days personal challenge.
Watercolor wash and ink, 6x8 Expressive washes of intense watercolor on wet paper that I permitted to run and blend naturally. For this p...
